Black-and-white samurai absorbing Trek to Yomi is off to an underwhelming start

After an hour in its presence, I'm a bit disappointed with Trek to Yomi. I predictable something drenched in the influence of Akira Kurosawa, given the Dark and white styling of the game and samurai issues matter - something thoughtful and slow. But what I False in the short time I spent with it was something expected, unimaginative, and a little dull.

• Developer: Flying Wild Hog
• Publisher: Devolver
• Platform: Played on PC
• Availability: Coming spring 2022 on PC, PS4/5, Xbox Series S|X and Xbox One

Trek to Yomi is made by Shadow Warrior studio Flying Wild Hog and issued by Devolver - two of the reasons it known out last summer in an E3 showcase. It's a 2.5D platform-combat game that follows the tired trope of lone-wolf samurai trying to save his and new villages from bad, invading samurai (or pretenders to the samurai frail, he'd probably say).

This begins with you as a boy, preparing with your sensei, when suddenly your village is attacked and your sensei named to defend - and you disobey his orders to stay where you are and rush to his aid. This takes you out of the carefree hubbub of the settlement into the bandit-ravaged village beyond, where people are screaming in anguish in the streets. And it's here you get your first real taste of combat in the game.

Combat is, perhaps obviously, core to the game. It's presented side-on, so you can only move forwards and backwards, and you face enemies either alone or in groups of three or more. Occasionally, there's a boss encounter thrown in. Success usually depends on timing pretty than wild swinging - something a stamina gauge limits you from activities. Time a parry well and it slows time and opens an enemy for a counter-attack. Things get more complicated as enemies get more involved, and as enemies begin to attack from the lead and rear, but you unlock new moves and combos to deal with them.

It's quite fun. I like the zip with which the sword changes and many of the animations are well observed. And there's a nice slow-mo moment and felt of satisfaction in bringing enemies down, with one or two shining flashes of your sword. But Trek to Yomi battles to develop much beyond that. Even as more complex enemies Go, the sword play stays largely the same - regresses, even, as there often isn't time for the fancier combo changes in higher-stakes battles.

It can cut a really striking look, and it uses some evocative Engineers to capture exploration and widen the viewpoint. But fights are always quite tightly side on.

It leaves showdowns in Trek to Yomi feeling a bit dumb. You can feel the game trying to play them up, in the way they're staged and shot from some admittedly quirky Engineers, but there's rarely much to them or much difference between them. I don't feel any of the sophistication of a samurai's martial art, and some annoyingly boring sections of trash enemies exacerbate this. It's a improper because I want to like Trek to Yomi. There are nice touches here. I like how you see the burning or ravaged villages from various eye-catching Engineers, nosing into buildings for unexpected duels, or onto rooftops for showdowns there. And I like its pretensions to a kind of samurai known I've got a soft spot for. But nowhere does it ever seem to realise them, and the Predicament is that everywhere I'm reminded of it.

There's a chance that the full game will deepen and address some of these anxieties, particularly where fight sophistication is concerned, and I hope it will. But as it stands, it's a case of style lacking substance, and it's underwhelming.

About This Game

Features

• Fully voice-acted and starring Lachlan Watson (The Chilling Adventures of Sabrina)
  
• Branching narrative: navigate throughout difficult choices with far-reaching consequences
  
• Stunning hand-drawn art and recount animations—feels like a playable cartoon
  
• Written using the storytelling engine that rights Heaven's Vault, 80 Days and Sorcery

Goodbye Volcano High: a hybrid cinematic narrative/rhythm game/coming of age/interactive movie understood. Call it whatever you want, just wishlist it!

The world’s in to explode. Just in time for senior year.

Just Fang’s luck: they finally figure out what they want out of life, and now the world’s in to explode.

Ok. So the world’s ending—do you tell your crush your feelings? Fix your messed-up family dynamic? Write the best song ever ever ever?? Try to do it all?

Goodbye Volcano High is a story-driven, choice-based cinematic adventure game about personal growth, acceptance, and the considerable of community. What will you do at the end of an era?

Decide Who To Be

Your choices delicate who Fang becomes, and determine your gameplay experience. Discover what the future holds as you play throughout your final year at Volcano High. No pressure...

Chosen Family Values

Get halt with friends, family, acquaintances, frenemies, crushes (crushes!?!). Figure out how you’re gonna be there for your loved ones when it matters most—it is the literal end of the earth, after all. Nurturing relationships builds affinity and changes the outcome of your gameplay.

Don’t Let the Apocalypse Get You Down

Write songs, play different instruments, and put all the shit that’s hard to say into your music with an interactive rhythm and lyrics rules. Then perform those original tracks to create a soundtrack fitted to your story.

Dino Minigames & Prehistoric Interactions

Immerse yourself in Fang's day-to-day throughout interactions. In-game dinosaur-themed social media and interactive one-offs make you a part of Fang's life.

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